20 CENTURY FOX INTRO MAKER SERIES

Disney subsequently became the heir apparent to acquire the company in a cash-and-stock deal worth over $71.3 billion note initially an all-stock deal worth $52.4 billion, it was increased following a brief bidding war with Comcast, the largest acquisition ever in Disney's history. On December 14, 2017, in one of the biggest media shake-ups in decades, 20th Century's then-parent company 21st Century Fox revealed its intention to sell the majority of its entertainment assets to a new owner. However, in spite of 20th Century's overall success, one of the biggest shockers in modern Hollywood soon followed. Nonetheless, 20th Century remained successful and later experienced something of a renaissance under the supervision of Stacy Snider and Emma Watts, who took over in the mid-2010s after Rothman stepped down and subsequently went to Columbia Pictures. The company had a reputation of focusing on profit over creativity, with studio executives having more control over a film's production than the director did, which is why a number of well-known franchise directors - aside from some industry giants like George Lucas, James Cameron, and Ridley Scott, who all had enough clout to make their movies without much outside interference - kept away from the studio during this period. 20th Century Studios was the first major studio to embrace the then-new medium of home video through a deal with Magnetic Video, which they would subsequently fully acquire as a subsidiary its Hello Dolly! was the first film released on home video in the U.S.Дў0th Century itself entered something of a Dork Age in the late 1990s to the early 2010s among film buffs in spite of the company releasing several well-reviewed hits during that same timespan, the company became notorious for enforcing considerable amounts of Executive Meddling across their slate of movies - particularly where adaptations were concerned - largely blamed on film chief Tom Rothman (who, on the other end of the spectrum, helped found 20th Century's indie/arthouse division, then known as ' Fox Searchlight'). Eventually, by 1977, there were moves to have the studio sold off and perhaps dismantled, but that was the year a little, seemingly absurd film called Star Wars exploded into popular culture. The result was that several top studio executives (including the company founder's son, Richard Zanuck) lost their jobs, and the studio itself went into such dire financial straits that it produced only one picture for the entire calendar year of 1970. All were released amid massive pre-release publicity and all lost equally massive amounts of money for the studio that could have sunk the studio again if it weren't for the spectacular success of the hit SF series, Planet of the Apes, starting in 1968 to keep it afloat. Furthermore, the strategy then backfired spectacularly when the studio attempted to duplicate that success by producing three expensive, large-scale musicals over a period of three years: Doctor Dolittle (1967), Star! (1968) and Hello, Dolly! (1969). Unfortunately, this strategy proved wildly inconsistent in results, the grotesquely overpriced Cleopatra would have nearly bankrupted the studio if the marathon musical The Sound of Music hadn't become the studio's most profitable film at the time.

20 CENTURY FOX INTRO MAKER SERIES

In the 1950s, alongside its more standard dramatic fare, 20th Century produced a series of Rodgers and Hammerstein musicals, comedies with squeaky-clean teen idols, and well-regarded biblical epics, hoping to stave off the threat of television by the sheer size of its productions.

In addition, under long-time founding executive Zanuck, the studio became known for making some of the most important and controversial films in Hollywood, with films that addressed sensitive issues such as antisemitism (the Academy Award winning Gentleman's Agreement), poverty (fellow Academy Award winner The Grapes of Wrath), unfair unionization and environmental destruction (a third Academy Award winner, How Green Was My Valley), and institutionalized mistreatment of the mentally ill ( The Snake Pit, which caused 13 states to change their laws when it came out). The studio was distinguished by its glossy production values and sharp-focused, high-contrast cinematography. 20th Century also capitalized on its association with Shirley Temple, who single-handedly made over $20 million for the studio in the late 1930s. In its day, 20th Century was considered one of the most prestigious of the Hollywood studios, known for its musicals (especially in the 1940s with Betty Grable), and prestige Bio Pics (such as John Ford's 1939 film Young Mr.

20 century fox intro maker